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fretjam
Великобритания
Добавлен 3 ноя 2009
Guitar and music theory eureka 💡 moments.
Versatile Lead Phrasing Pathways - Added Tone Arpeggios
Patreon: www.patreon.com/fretjam
^ Thank you for your support! A wealth of exclusive content that I'm sure you'll find useful.
In this lesson we explore added tone arpeggios - arpeggio/scale hybrid patterns that offer us melodic phrasing pathways through chords and even entire keys. They give our lead guitar playing a mix of "horizontal" and "vertical" direction, helping us to break out of the linear rut of step-wise scale meandering, connecting different areas of the neck with larger interval jumps. Accessible, memorable and musical in many playing situations.
0:00 - Intro
0:55 - Summary
1:25 - Major Added 4th
6:16 - Major Added 2nd
7:44 - Chord/Pattern Changes
10:12 - Related Positioning
12:27 -...
^ Thank you for your support! A wealth of exclusive content that I'm sure you'll find useful.
In this lesson we explore added tone arpeggios - arpeggio/scale hybrid patterns that offer us melodic phrasing pathways through chords and even entire keys. They give our lead guitar playing a mix of "horizontal" and "vertical" direction, helping us to break out of the linear rut of step-wise scale meandering, connecting different areas of the neck with larger interval jumps. Accessible, memorable and musical in many playing situations.
0:00 - Intro
0:55 - Summary
1:25 - Major Added 4th
6:16 - Major Added 2nd
7:44 - Chord/Pattern Changes
10:12 - Related Positioning
12:27 -...
Просмотров: 45 086
Видео
How Slides Instantly Make Your Lead Sound Better
Просмотров 42 тыс.Год назад
Get more on Patreon: www.patreon.com/fretjam Lesson Page: www.fretjam.com/guitar-slides.html Slides, more formally known as glissando, serve two main functions. Firstly, they allow for a smoother, connected movement between different neck and scale positions. And secondly, they offer a form of ornamentation or embellishment of our phrases, as an addition to other legato techniques such as strin...
You Won't Find These on Chord Charts - Alternate Open Chords
Просмотров 50 тыс.2 года назад
Get the book (and more) on Patreon: www.patreon.com/fretjam Using open strings as part of our chord voicings is a beautiful and vibrant way of adding colour to familiar shapes and accompany other harmony parts. In this lesson I take you through some lesser known forms of open chord and demonstrate their functional versatility. TIME STAMPS 0:00 - Complementary Voicings 1:00 - Open Chord Basics ...
Upgrade Your Improv Skills With This Vertical Trick - Arpeggios From Scales
Просмотров 140 тыс.2 года назад
Support fretjam on Patreon (thank you!) www.patreon.com/fretjam Lesson page: www.fretjam.com/arpeggios-from-scales.html When considering the dynamics of melody, there are various elements at play that make it rise and fall, ebb and flow and stroll, run or leap from one note to the next. In the context of scale navigation, there are two directional choices - ascend or descend. While combinations...
Economy Shape Targeting For Chord Melody (+ Many Other Uses)
Просмотров 75 тыс.2 года назад
Support fretjam on Patreon (thank you!) www.patreon.com/fretjam Previous part (1 4 5 method): ruclips.net/video/yTj9u5CpayU/видео.html Lesson page: www.fretjam.com/chord-melody-4.html TIME STAMPS 0:00 Recap & Prep 1:44 Basic Shape Targeting (Two Chords) 5:12 Triad & 7th Target Shapes 9:51 Targeting Chords in Isolation 11:49 Three & Four-Chord Examples 13:33 9th, 11th & 13th Target Shapes 18...
Harmonizing Melody Using 1 4 5 (any key and mode) - Chord Melody Skills
Просмотров 214 тыс.3 года назад
Get extra fretjam on Patreon: www.patreon.com/fretjam Check out the lesson page: www.fretjam.com/chord-melody-3.html Previous part: ruclips.net/video/DBzNH9iy02c/видео.html TIME STAMPS 0:00 Recap 0:32 Major 1 4 5 Triads 4:46 Diatonic Application 8:44 Minor 1 4 5 Triads 11:17 Triad/Scale Connection Here we continue the chord melody series by building on our harmonic foundations. These harm...
Marrying Chords & Melody - Melodic Chord Phrasing Up The Neck (baby steps)
Просмотров 312 тыс.3 года назад
Get extra fretjam on Patreon: www.patreon.com/fretjam Check out the lesson page: www.fretjam.com/chord-melody-2.html First part: ruclips.net/video/8XFoTPWNXww/видео.html TIME STAMPS 0:00 Intro & Two Approaches 1:50 Basic Finger Positions 6:56 Adding Melody to Chord Shapes 9:31 Chord Changes 10:28 Block Chord Melody 11:08 Summary In this lesson we look at adding melody to our chord playing up th...
Soulful Minor Chords - Extended Shapes, Reharmonization & Modulation
Просмотров 80 тыс.4 года назад
Get extra fretjam on Patreon: www.patreon.com/fretjam Lesson Page: www.fretjam.com/minor-9th-11th-chord-progressions.html Major 7th Soul: ruclips.net/video/PwSmzE3EFuA/видео.html Dominant Changes: ruclips.net/video/XYcfMICqibM/видео.html TIME STAMPS 0:00 Intro 0:50 Movable Shapes 2:26 Open Position Shapes 3:14 Relative Shapes 3:59 Basic Progressions 6:46 Major-Minor Substitution 8:42 Voice Lead...
The VERTICAL Approach to Minor Melody
Просмотров 60 тыс.4 года назад
Patreon: www.patreon.com/fretjam Lesson Page: www.fretjam.com/minor-11th-arpeggio.html TIME STAMPS 0:00 Horizontal vs Vertical Melody 0:58 Minor Triad Arpeggios 2:22 Minor 7th Arpeggios 4:08 Minor 9th Arpeggios 6:38 Minor 11th Arpeggios 8:26 Summary Of Related "Inner" Arpeggios 9:19 Arpeggios Over Changes 11:16 Reharmonising Minor 11th Arpeggios 12:31 Summary The minor 11th arpeggio isn't just ...
Exploring Melodic Minor - Everything You Need To Know
Просмотров 214 тыс.4 года назад
Patreon: www.patreon.com/fretjam Lesson Page: www.fretjam.com/melodic-minor-scale.html TIME STAMPS 0:00 The Basic Melodic Minor Sound 0:32 Natural, Harmonic & Melodic Minor Comparison 1:34 Chord-Scale Connections 4:53 The Roadmap 7:14 Related Modes 10:18 Harmonising Melodic Minor 13:45 Summary In this lesson we explore the unique sound of the melodic minor scale. Get to know it on a deeper leve...
Soulful Major 7th Chords - Progressions & Modulation
Просмотров 161 тыс.4 года назад
Patreon: www.patreon.com/fretjam Lesson Page: www.fretjam.com/major-7th-chord-progressions.html TIME STAMPS 0:00 The Major 7th Chord 0:40 I and IV Degrees 1:55 bII Degree 3:38 bIII Degree 4:33 bVI Degree 5:24 bVII Degree 5:58 Maj7 Progression Example 6:34 Fixed Root With Maj7 Degrees 7:07 Modulation 7:24 6th Degree Modulation 9:23 3rd Degree Modulation 10:27 Parallel Modulation 11:16 Summary In...
Hexatonic Roadmap - Blaze The Neck With These 5 Patterns
Просмотров 327 тыс.5 лет назад
Patreon: www.patreon.com/fretjam Lesson Page: www.fretjam.com/hexatonic-scale-patterns.html Hexatonics are just one way of breaking up and navigating our seven-tone major scale (and its relative minor scale plus all its modes). In this lesson we look at how to use versatile 6-tone patterns to create quick, sequential runs and connect different areas of the neck. Develop your speed, timing, fret...
Darkening Major Keys - Shapes & Scales
Просмотров 72 тыс.5 лет назад
Patreon: www.patreon.com/fretjam Lesson Page: www.fretjam.com/major-key-darkness.html Although major keys are associated with happiness, brightness and warmth, we can use certain movements of harmony and melody to give them more darkness and give them a more changeable emotional response. In this lesson I take you through some common ways of darkening major keys, including colour shapes and sca...
Change To ANY Key Using The Dominant - Key Change Mechanics
Просмотров 82 тыс.5 лет назад
Patreon: www.patreon.com/fretjam Lesson Page: www.fretjam.com/dominant-key-change.html The dominant can help "prepare" changes to any key, whether major or minor, opening up our songwriting options. In this lesson I take you through some practical examples of how the dominant (or 5 chord) functions in the context of key changes and helps to smooth the transition, even into distantly related key...
Next Level CAGED Guitar - Major Chord Coloring
Просмотров 66 тыс.5 лет назад
Patreon: www.patreon.com/fretjam Lesson page: www.fretjam.com/caged-major-chords.html In this lesson we build on our knowledge of the CAGED system to create more colourful chords. By freeing up our fingers from the bass root of those familiar chord shapes, we can focus on extending and colouring the basic major chords for accompaniment. So this is as much about economising our chord fingering a...
Exploring Lydian - Everything You Need To Know (and possibly more)
Просмотров 150 тыс.5 лет назад
Exploring Lydian - Everything You Need To Know (and possibly more)
Pentatonic Bend Points - String Bending With Purpose
Просмотров 157 тыс.5 лет назад
Pentatonic Bend Points - String Bending With Purpose
Borrowed Chords - How To Spot & Switch Scales
Просмотров 209 тыс.5 лет назад
Borrowed Chords - How To Spot & Switch Scales
Diminished 7th Chords - Their Symmetry & Function Explained
Просмотров 77 тыс.6 лет назад
Diminished 7th Chords - Their Symmetry & Function Explained
Hidden Triads - Extending Your Chord & Lead Playing
Просмотров 245 тыс.6 лет назад
Hidden Triads - Extending Your Chord & Lead Playing
Major 7th Arpeggios Are More Versatile Than You Think
Просмотров 140 тыс.6 лет назад
Major 7th Arpeggios Are More Versatile Than You Think
Exploring The Guitar Neck In 6ths - Simple & Beautiful
Просмотров 199 тыс.6 лет назад
Exploring The Guitar Neck In 6ths - Simple & Beautiful
Minor 2 5 1 Alternative Pentatonics - Chord Colouring
Просмотров 65 тыс.6 лет назад
Minor 2 5 1 Alternative Pentatonics - Chord Colouring
Changing Pentatonic Scale in Minor Keys - What Happens?
Просмотров 296 тыс.6 лет назад
Changing Pentatonic Scale in Minor Keys - What Happens?
Nail 5 Core Guitar Skills With These Pedal Point Exercises
Просмотров 47 тыс.6 лет назад
Nail 5 Core Guitar Skills With These Pedal Point Exercises
Intervals On Guitar - Crash Course for Beginners
Просмотров 178 тыс.6 лет назад
Intervals On Guitar - Crash Course for Beginners
Dark Guitar Chords - 50 Shapes to Spook Your Listeners
Просмотров 1,5 млн6 лет назад
Dark Guitar Chords - 50 Shapes to Spook Your Listeners
Finally Hear The Difference Between Modes - Modal Ear Training
Просмотров 244 тыс.6 лет назад
Finally Hear The Difference Between Modes - Modal Ear Training
Play Sweeter Blues Solos With Mixolydian
Просмотров 463 тыс.7 лет назад
Play Sweeter Blues Solos With Mixolydian
Nice video. Thank you for posting this.
Amazing knowledge display I play over and again
Superbe
very good guide, thank you
God Bless this Man for helping us understand music scale!
Thank you for your time my friend.
So clearly explained. A million thanks.
This type of content: posted in larger intervlas of time but with higher quality is what we need. Enough of daily or weekly "sick hacks to be a legendary musician".
Always waiting for your videos
What notes am I supposed to play? Or do I just play through the scale?
I love this channel with all my heart! Thank you very much!
Like this virtual way of teaching the fret ❤from India 🇮🇳
Much love ❤️
🎵🎸❤️🙏
❤️🙏❤️🎸🎶🎼🎵
Cool thank you.
I think this channel will keep me going for quite some time 😊
hey frettjam keep doing what you are doing i really aprreciate.Also i had this question if lets say we got a melody or part of song to play lead on guitar or a solo. 1) do you listen intervals while listening to solo or melody 2)do you then try to gett it on guitar or you just play the intervals 3) when you play lead lines or solo or improv are you aware parallely like i bent from b7 to 1 and then this lick and then 3 and 4 pulloff 5 in mind and do you see iuntervals on fretboard 4 ) if yes pls tell me a roadmap to follow along so that i can reach that level
Hey there, thanks for your time! 1) Yes I try to listen to and identify the interval structure being played when I hear a melody (even chord or progression). Sometimes it's too quick for that to be realistic! But most of the time I'm listening for that "distance" between notes, which can be translated through interval knowledge and ear training (minor 3rds, major 3rds, 5ths, 6ths etc.). It's a great skill for cutting down the time it takes to pick up music by ear. The more you expose yourself to the sound of individual and then collective intervals (e.g. arpeggios and scales), the more you start to intuitively pick them out in melodic passages you hear. 2) Not sure I understand this question. If I'm translating a melody, I just translate to the best of my ability what I hear to a kind of spatial awareness that has come from studying intervals and their "distance" across frets. Finding the key (tonic chord) of the piece is fundamental as a starting point. 3) Kind of, I don't necessarily have a conversation about intervals in my head while playing, but the action does appear as a familiar spatial awareness which comes from a broader pattern on the fretboard related to the chords I'm playing over (typically an arpeggio or scale). Studying intervals is just a way of internalising the sound and visual space of a movement, so it can be replicated more intuitively as time goes on. 4) This video was one way of devising an initial roadmap over chords, between arpeggio and scale form. I'm currently redeveloping and expanding my "Ultimate Roadmap" course which is available (in current form) on Patreon. I want to include a more integrated approach for arpeggios and scales for different chords in a key. Remember this is all mostly about patterns and how we move around and integrate them seamlessly. And there is always major and minor pentatonic to fall back on and integrate, knowing where they exist within the given key.
@@fretjamdotcom when you say distance between notes dies that mean distance between adjacent notes or notes from roots .Pls clarify and thank you for answering my question
@@amishbhaskar3264 Both are good to spend time on - intervals from a root and also intervals between notes outside of the root position.
I only understood the C(1) and the G(5)
this video really is a time saver. and its free of cost. whoever is behind teaching this stuff is surely an amazing person. thank you so much!!❤️❤️
Great lesson, thank you!
Danke!
Danke schön!
Absolutely brilliant instruction for a very complex and up to now almost impossible for me to grasp, makes it very clear and happy to have patience in waiting for your next lessons, keep it up you're great, I've gone and joined you Patreon also to learn more!
Really appreciate your time and support! More on the way.
Wow... that Cmaj (tonic) movement to the Bbm (7th) is incredibly cinematic.
Que.bueno Me P0ngo.a.praticar.solrac.carlos.saludos.
I have been playing for 45 years and dont know correct theory, I decided to change that. I have chosen you to teach it to me. thanks so much for your approach to teaching and sharing all this knowledge! Hollywood Dave.
Fretjam the best teacher❤❤❤❤
Thanks!
Much appreciated!
Your work is Fantastic!!!!!
Thank you for your time!
❤❤❤❤🎉
Thank you to make me understand teacher ❤🎉
Cara isso é muito legal, que maravilha, faça mais aulas assim por favor, muito obrigado man!!!!!
好久不见
I am mind-blown that I'm only seeing this video now...beautifully explained. I've always felt like a noob always playing open chords on my acoustic. Now I can go side to side. I want to know all the chords, but not strictly rhythm, cos I want to make my guitar cry and sing. Thanks fretjam
Muito bom seu raciocínio
Unbelievable how good this is for the growth of speed and efficiency
The third method was the missing piece of knowledge to my soloing. Thanks! CAGED and shapes weren’t doing it.
This is one of the best videos I’ve seen on the subject. Thanks!
I have to say this video is incredible! Just subscribed. And the example choices really set it over the top with the diagrams!
Such great stuff thanks
Thanks!
Very kind of you. Much appreciated!
There isn't much sonic difference between the 7th and bII of this scale, that's probably the one hang-up I've always had about this scale, being one of my favorites. It's great to solo over because you don't really have to move around much, but you basically only get one "color" out of it if you don't have a vocabulary of inversions, extensions, etc.
That's an interesting point and my ears agree! I would say that's kind of how most modes are in terms of their harmonic potential. Modes by definition are restricted to a specific harmonic colour. That said, with phrygian dominant, I find the most striking use of it is when there is an unpredictable chord or key change. It carries a lot of tension and it can completely change the mood of a piece. But I also have a weak spot for the I7 to vii (e.g. E7 to Dm) movement. You hear this a lot in movie scores and it's very powerful. Throw this into a regular major key (e.g. C becomes C7 and then Dbmaj7 or Bbm comes into play) and you get a fresher taste of that phrygian dominant sound.
he says "patterns" like Captain Picard... patt'ns
My favorite guitar tutorial channel in the world. Welcome back!
Minor po yan na pattern
Wao amazing explanation
Thanks!
Much appreciated!
Thank you so much 🌸🙏
Great lesson. Is there anything that determines which note to slide on? I see it in this lesson. Great job.
Think in terms of target notes. Typically a slide will serve to punctuate a note you want to emphasise, similar to a bend. Other than that, just go with want sounds good!
8:46 is SO old-school 80s Vai and I'm here for it!
Haha. Child of the 80s here. It's not going away.
Ataya nag libog ko
7th不是半减和弦吗?怎么是个全减全减和弦?